CHAPTER 3 - Home

It was a Sunday evening in London, gloomy, close, and stale. Maddening church bells of all degrees of dissonance, sharp and flat, cracked and clear, fast and slow, made the brick-and-mortar echoes hideous. Melancholy streets, in a penitential garb of soot, steeped the souls of the people who were condemned to look at them out of windows, in dire despondency. In every thoroughfare, up almost every alley, and down almost every turning, some doleful bell was throbbing, jerking, tolling, as if the Plague were in the city and the dead-carts were going round. Everything was bolted and barred that could by possibility furnish relief to an overworked people. No pictures, no unfamiliar animals, no rare plants or flowers, no natural or artificial wonders of the ancient world—all TABOO with that enlightened strictness, that the ugly South Sea gods in the British Museum might have supposed themselves at home again. Nothing to see but streets, streets, streets. Nothing to breathe but streets, streets, streets. Nothing to change the brooding mind, or raise it up. Nothing for the spent toiler to do, but to compare the monotony of his seventh day with the monotony of his six days, think what a weary life he led, and make the best of it—or the worst, according to the probabilities.

At such a happy time, so propitious to the interests of religion and morality, Mr Arthur Clennam, newly arrived from Marseilles by way of Dover, and by Dover coach the Blue-eyed Maid, sat in the window of a coffee-house on Ludgate Hill. Ten thousand responsible houses surrounded him, frowning as heavily on the streets they composed, as if they were every one inhabited by the ten young men of the Calender's story, who blackened their faces and bemoaned their miseries every night. Fifty thousand lairs surrounded him where people lived so unwholesomely that fair water put into their crowded rooms on Saturday night, would be corrupt on Sunday morning; albeit my lord, their county member, was amazed that they failed to sleep in company with their butcher's meat. Miles of close wells and pits of houses, where the inhabitants gasped for air, stretched far away towards every point of the compass. Through the heart of the town a deadly sewer ebbed and flowed, in the place of a fine fresh river. What secular want could the million or so of human beings whose daily labour, six days in the week, lay among these Arcadian objects, from the sweet sameness of which they had no escape between the cradle and the grave—what secular want could they possibly have upon their seventh day? Clearly they could want nothing but a stringent policeman.

Mr Arthur Clennam sat in the window of the coffee-house on Ludgate Hill, counting one of the neighbouring bells, making sentences and burdens of songs out of it in spite of himself, and wondering how many sick people it might be the death of in the course of the year. As the hour approached, its changes of measure made it more and more exasperating. At the quarter, it went off into a condition of deadly-lively importunity, urging the populace in a voluble manner to Come to church, Come to church, Come to church! At the ten minutes, it became aware that the congregation would be scanty, and slowly hammered out in low spirits, They WON'T come, they WON'T come, they WON'T come! At the five minutes, it abandoned hope, and shook every house in the neighbourhood for three hundred seconds, with one dismal swing per second, as a groan of despair.

'Thank Heaven!' said Clennam, when the hour struck, and the bell stopped.

But its sound had revived a long train of miserable Sundays, and the procession would not stop with the bell, but continued to march on. 'Heaven forgive me,' said he, 'and those who trained me. How I have hated this day!'

There was the dreary Sunday of his childhood, when he sat with his hands before him, scared out of his senses by a horrible tract which commenced business with the poor child by asking him in its title, why he was going to Perdition?—a piece of curiosity that he really, in a frock and drawers, was not in a condition to satisfy—and which, for the further attraction of his infant mind, had a parenthesis in every other line with some such hiccupping reference as 2 Ep. Thess. c. iii, v. 6 & 7. There was the sleepy Sunday of his boyhood, when, like a military deserter, he was marched to chapel by a picquet of teachers three times a day, morally handcuffed to another boy; and when he would willingly have bartered two meals of indigestible sermon for another ounce or two of inferior mutton at his scanty dinner in the flesh. There was the interminable Sunday of his nonage; when his mother, stern of face and unrelenting of heart, would sit all day behind a Bible—bound, like her own construction of it, in the hardest, barest, and straitest boards, with one dinted ornament on the cover like the drag of a chain, and a wrathful sprinkling of red upon the edges of the leaves—as if it, of all books! were a fortification against sweetness of temper, natural affection, and gentle intercourse. There was the resentful Sunday of a little later, when he sat down glowering and glooming through the tardy length of the day, with a sullen sense of injury in his heart, and no more real knowledge of the beneficent history of the New Testament than if he had been bred among idolaters. There was a legion of Sundays, all days of unserviceable bitterness and mortification, slowly passing before him. 'Beg pardon, sir,' said a brisk waiter, rubbing the table. 'Wish see bed-room?'

'Yes. I have just made up my mind to do it.'

'Chaymaid!' cried the waiter. 'Gelen box num seven wish see room!'

'Stay!' said Clennam, rousing himself. 'I was not thinking of what I said; I answered mechanically. I am not going to sleep here. I am going home.'

'Deed, sir? Chaymaid! Gelen box num seven, not go sleep here, gome.'

He sat in the same place as the day died, looking at the dull houses opposite, and thinking, if the disembodied spirits of former inhabitants were ever conscious of them, how they must pity themselves for their old places of imprisonment. Sometimes a face would appear behind the dingy glass of a window, and would fade away into the gloom as if it had seen enough of life and had vanished out of it. Presently the rain began to fall in slanting lines between him and those houses, and people began to collect under cover of the public passage opposite, and to look out hopelessly at the sky as the rain dropped thicker and faster. Then wet umbrellas began to appear, draggled skirts, and mud. What the mud had been doing with itself, or where it came from, who could say? But it seemed to collect in a moment, as a crowd will, and in five minutes to have splashed all the sons and daughters of Adam. The lamplighter was going his rounds now; and as the fiery jets sprang up under his touch, one might have fancied them astonished at being suffered to introduce any show of brightness into such a dismal scene.

Mr Arthur Clennam took up his hat and buttoned his coat, and walked out. In the country, the rain would have developed a thousand fresh scents, and every drop would have had its bright association with some beautiful form of growth or life. In the city, it developed only foul stale smells, and was a sickly, lukewarm, dirt-stained, wretched addition to the gutters.

He crossed by St Paul's and went down, at a long angle, almost to the water's edge, through some of the crooked and descending streets which lie (and lay more crookedly and closely then) between the river and Cheapside. Passing, now the mouldy hall of some obsolete Worshipful Company, now the illuminated windows of a Congregationless Church that seemed to be waiting for some adventurous Belzoni to dig it out and discover its history; passing silent warehouses and wharves, and here and there a narrow alley leading to the river, where a wretched little bill, FOUND DROWNED, was weeping on the wet wall; he came at last to the house he sought. An old brick house, so dingy as to be all but black, standing by itself within a gateway. Before it, a square court-yard where a shrub or two and a patch of grass were as rank (which is saying much) as the iron railings enclosing them were rusty; behind it, a jumble of roots. It was a double house, with long, narrow, heavily-framed windows. Many years ago, it had had it in its mind to slide down sideways; it had been propped up, however, and was leaning on some half-dozen gigantic crutches: which gymnasium for the neighbouring cats, weather-stained, smoke-blackened, and overgrown with weeds, appeared in these latter days to be no very sure reliance.

'Nothing changed,' said the traveller, stopping to look round. 'Dark and miserable as ever. A light in my mother's window, which seems never to have been extinguished since I came home twice a year from school, and dragged my box over this pavement. Well, well, well!'

He went up to the door, which had a projecting canopy in carved work of festooned jack-towels and children's heads with water on the brain, designed after a once-popular monumental pattern, and knocked. A shuffling step was soon heard on the stone floor of the hall, and the door was opened by an old man, bent and dried, but with keen eyes.

He had a candle in his hand, and he held it up for a moment to assist his keen eyes. 'Ah, Mr Arthur?' he said, without any emotion, 'you are come at last? Step in.'

Mr Arthur stepped in and shut the door.

'Your figure is filled out, and set,' said the old man, turning to look at him with the light raised again, and shaking his head; 'but you don't come up to your father in my opinion. Nor yet your mother.'

'How is my mother?'

'She is as she always is now. Keeps her room when not actually bedridden, and hasn't been out of it fifteen times in as many years, Arthur.' They had walked into a spare, meagre dining-room. The old man had put the candlestick upon the table, and, supporting his right elbow with his left hand, was smoothing his leathern jaws while he looked at the visitor. The visitor offered his hand. The old man took it coldly enough, and seemed to prefer his jaws, to which he returned as soon as he could.

'I doubt if your mother will approve of your coming home on the Sabbath, Arthur,' he said, shaking his head warily.

'You wouldn't have me go away again?'

'Oh! I? I? I am not the master. It's not what I would have. I have stood between your father and mother for a number of years. I don't pretend to stand between your mother and you.'

'Will you tell her that I have come home?'

'Yes, Arthur, yes. Oh, to be sure! I'll tell her that you have come home. Please to wait here. You won't find the room changed.'

He took another candle from a cupboard, lighted it, left the first on the table, and went upon his errand. He was a short, bald old man, in a high-shouldered black coat and waistcoat, drab breeches, and long drab gaiters. He might, from his dress, have been either clerk or servant, and in fact had long been both. There was nothing about him in the way of decoration but a watch, which was lowered into the depths of its proper pocket by an old black ribbon, and had a tarnished copper key moored above it, to show where it was sunk. His head was awry, and he had a one-sided, crab-like way with him, as if his foundations had yielded at about the same time as those of the house, and he ought to have been propped up in a similar manner.

'How weak am I,' said Arthur Clennam, when he was gone, 'that I could shed tears at this reception! I, who have never experienced anything else; who have never expected anything else.' He not only could, but did. It was the momentary yielding of a nature that had been disappointed from the dawn of its perceptions, but had not quite given up all its hopeful yearnings yet. He subdued it, took up the candle, and examined the room. The old articles of furniture were in their old places; the Plagues of Egypt, much the dimmer for the fly and smoke plagues of London, were framed and glazed upon the walls. There was the old cellaret with nothing in it, lined with lead, like a sort of coffin in compartments; there was the old dark closet, also with nothing in it, of which he had been many a time the sole contents, in days of punishment, when he had regarded it as the veritable entrance to that bourne to which the tract had found him galloping. There was the large, hard-featured clock on the sideboard, which he used to see bending its figured brows upon him with a savage joy when he was behind-hand with his lessons, and which, when it was wound up once a week with an iron handle, used to sound as if it were growling in ferocious anticipation of the miseries into which it would bring him. But here was the old man come back, saying, 'Arthur, I'll go before and light you.'

Arthur followed him up the staircase, which was panelled off into spaces like so many mourning tablets, into a dim bed-chamber, the floor of which had gradually so sunk and settled, that the fire-place was in a dell. On a black bier-like sofa in this hollow, propped up behind with one great angular black bolster like the block at a state execution in the good old times, sat his mother in a widow's dress.

She and his father had been at variance from his earliest remembrance. To sit speechless himself in the midst of rigid silence, glancing in dread from the one averted face to the other, had been the peacefullest occupation of his childhood. She gave him one glassy kiss, and four stiff fingers muffled in worsted. This embrace concluded, he sat down on the opposite side of her little table. There was a fire in the grate, as there had been night and day for fifteen years. There was a kettle on the hob, as there had been night and day for fifteen years. There was a little mound of damped ashes on the top of the fire, and another little mound swept together under the grate, as there had been night and day for fifteen years. There was a smell of black dye in the airless room, which the fire had been drawing out of the crape and stuff of the widow's dress for fifteen months, and out of the bier-like sofa for fifteen years.

'Mother, this is a change from your old active habits.'

'The world has narrowed to these dimensions, Arthur,' she rep lied, glancing round the room. 'It is well for me that I never set my heart upon its hollow vanities.'

The old influence of her presence and her stern strong voice, so gathered about her son, that he felt conscious of a renewal of the timid chill and reserve of his childhood.

'Do you never leave your room, mother?'

'What with my rheumatic affection, and what with its attendant debility or nervous weakness—names are of no matter now—I have lost the use of my limbs. I never leave my room. I have not been outside this door for—tell him for how long,' she said, speaking over her shoulder.

'A dozen year next Christmas,' returned a cracked voice out of the dimness behind.

'Is that Affery?' said Arthur, looking towards it.

The cracked voice replied that it was Affery: and an old woman came forward into what doubtful light there was, and kissed her hand once; then subsided again into the dimness.

'I am able,' said Mrs Clennam, with a slight motion of her worsted-muffled right hand toward a chair on wheels, standing before a tall writing cabinet close shut up, 'I am able to attend to my business duties, and I am thankful for the privilege. It is a great privilege. But no more of business on this day. It is a bad night, is it not?'

'Yes, mother.'

'Does it snow?'

'Snow, mother? And we only yet in September?'

'All seasons are alike to me,' she returned, with a grim kind of luxuriousness. 'I know nothing of summer and winter, shut up here.

The Lord has been pleased to put me beyond all that.' With her cold grey eyes and her cold grey hair, and her immovable face, as stiff as the folds of her stony head-dress,—her being beyond the reach of the seasons seemed but a fit sequence to her being beyond the reach of all changing emotions.

On her little table lay two or three books, her handkerchief, a pair of steel spectacles newly taken off, and an old-fashioned gold watch in a heavy double case. Upon this last object her son's eyes and her own now rested together.

'I see that you received the packet I sent you on my father's death, safely, mother.'

'You see.'

'I never knew my father to show so much anxiety on any subject, as that his watch should be sent straight to you.'

'I keep it here as a remembrance of your father.'

'It was not until the last, that he expressed the wish; when he could only put his hand upon it, and very indistinctly say to me "your mother." A moment before, I thought him wandering in his mind, as he had been for many hours—I think he had no consciousness of pain in his short illness—when I saw him turn himself in his bed and try to open it.'

'Was your father, then, not wandering in his mind when he tried to open it?'

'No. He was quite sensible at that time.'

Mrs Clennam shook her head; whether in dismissal of the deceased or opposing herself to her son's opinion, was not clearly expressed.

'After my father's death I opened it myself, thinking there might be, for anything I knew, some memorandum there. However, as I need not tell you, mother, there was nothing but the old silk watch-paper worked in beads, which you found (no doubt) in its place between the cases, where I found and left it.'

Mrs Clennam signified assent; then added, 'No more of business on this day,' and then added, 'Affery, it is nine o'clock.'

Upon this, the old woman cleared the little table, went out of the room, and quickly returned with a tray on which was a dish of little rusks and a small precise pat of butter, cool, symmetrical, white, and plump. The old man who had been standing by the door in one attitude during the whole interview, looking at the mother up-stairs as he had looked at the son down-stairs, went out at the same time, and, after a longer absence, returned with another tray on which was the greater part of a bottle of port wine (which, to judge by his panting, he had brought from the cellar), a lemon, a sugar-basin, and a spice box. With these materials and the aid of the kettle, he filled a tumbler with a hot and odorous mixture, measured out and compounded with as much nicety as a physician's prescription. Into this mixture Mrs Clennam dipped certain of the rusks, and ate them; while the old woman buttered certain other of the rusks, which were to be eaten alone. When the invalid had eaten all the rusks and drunk all the mixture, the two trays were removed; and the books and the candle, watch, handkerchief, and spectacles were replaced upon the table. She then put on the spectacles and read certain passages aloud from a book—sternly, fiercely, wrathfully—praying that her enemies (she made them by her tone and manner expressly hers) might be put to the edge of the sword, consumed by fire, smitten by plagues and leprosy, that their bones might be ground to dust, and that they might be utterly exterminated. As she read on, years seemed to fall away from her son like the imaginings of a dream, and all the old dark horrors of his usual preparation for the sleep of an innocent child to overshadow him.

She shut the book and remained for a little time with her face shaded by her hand. So did the old man, otherwise still unchanged in attitude; so, probably, did the old woman in her dimmer part of the room. Then the sick woman was ready for bed.

'Good night, Arthur. Affery will see to your accommodation. Only touch me, for my hand is tender.' He touched the worsted muffling of her hand—that was nothing; if his mother had been sheathed in brass there would have been no new barrier between them—and followed the old man and woman down-stairs.

The latter asked him, when they were alone together among the heavy shadows of the dining-room, would he have some supper?

'No, Affery, no supper.'

'You shall if you like,' said Affery. 'There's her tomorrow's partridge in the larder—her first this year; say the word and I'll cook it.'

No, he had not long dined, and could eat nothing.

'Have something to drink, then,' said Affery; 'you shall have some of her bottle of port, if you like. I'll tell Jeremiah that you ordered me to bring it you.'

No; nor would he have that, either.

'It's no reason, Arthur,' said the old woman, bending over him to whisper, 'that because I am afeared of my life of 'em, you should be. You've got half the property, haven't you?'

'Yes, yes.'

'Well then, don't you be cowed. You're clever, Arthur, an't you?' He nodded, as she seemed to expect an answer in the affirmative. 'Then stand up against them! She's awful clever, and none but a clever one durst say a word to her. HE'S a clever one—oh, he's a clever one!—and he gives it her when he has a mind to't, he does!'

'Your husband does?'

'Does? It makes me shake from head to foot, to hear him give it her. My husband, Jeremiah Flintwinch, can conquer even your mother. What can he be but a clever one to do that!'

His shuffling footstep coming towards them caused her to retreat to the other end of the room. Though a tall, hard-favoured, sinewy old woman, who in her youth might have enlisted in the Foot Guards without much fear of discovery, she collapsed before the little keen-eyed crab-like old man.

'Now, Affery,' said he, 'now, woman, what are you doing? Can't you find Master Arthur something or another to pick at?'

Master Arthur repeated his recent refusal to pick at anything.

'Very well, then,' said the old man; 'make his bed. Stir yourself.' His neck was so twisted that the knotted ends of his white cravat usually dangled under one ear; his natural acerbity and energy, always contending with a second nature of habitual repression, gave his features a swollen and suffused look; and altogether, he had a weird appearance of having hanged himself at one time or other, and of having gone about ever since, halter and all, exactly as some timely hand had cut him down.

'You'll have bitter words together to-morrow, Arthur; you and your mother,' said Jeremiah. 'Your having given up the business on your father's death—which she suspects, though we have left it to you to tell her—won't go off smoothly.'

'I have given up everything in life for the business, and the time came for me to give up that.'

'Good!' cried Jeremiah, evidently meaning Bad. 'Very good! only don't expect me to stand between your mother and you, Arthur. I stood between your mother and your father, fending off this, and fending off that, and getting crushed and pounded betwixt em; and I've done with such work.'

'You will never be asked to begin it again for me, Jeremiah.'

'Good. I'm glad to hear it; because I should have had to decline it, if I had been. That's enough—as your mother says—and more than enough of such matters on a Sabbath night. Affery, woman, have you found what you want yet?'

She had been collecting sheets and blankets from a press, and hastened to gather them up, and to reply, 'Yes, Jeremiah.' Arthur Clennam helped her by carrying the load himself, wished the old man good night, and went up-stairs with her to the top of the house.

They mounted up and up, through the musty smell of an old close house, little used, to a large garret bed-room. Meagre and spare, like all the other rooms, it was even uglier and grimmer than the rest, by being the place of banishment for the worn-out furniture. Its movables were ugly old chairs with worn-out seats, and ugly old chairs without any seats; a threadbare patternless carpet, a maimed table, a crippled wardrobe, a lean set of fire-irons like the skeleton of a set deceased, a washing-stand that looked as if it had stood for ages in a hail of dirty soapsuds, and a bedstead with four bare atomies of posts, each terminating in a spike, as if for the dismal accommodation of lodgers who might prefer to impale themselves. Arthur opened the long low window, and looked out upon the old blasted and blackened forest of chimneys, and the old red glare in the sky, which had seemed to him once upon a time but a nightly reflection of the fiery environment that was presented to his childish fancy in all directions, let it look where it would.

He drew in his head again, sat down at the bedside, and looked on at Affery Flintwinch making the bed.

'Affery, you were not married when I went away.'

She screwed her mouth into the form of saying 'No,' shook her head, and proceeded to get a pillow into its case.

'How did it happen?'

'Why, Jeremiah, o' course,' said Affery, with an end of the pillow-case between her teeth.

'Of course he proposed it, but how did it all come about? I should have thought that neither of you would have married; least of all should I have thought of your marrying each other.'

'No more should I,' said Mrs Flintwinch, tying the pillow tightly in its case.

'That's what I mean. When did you begin to think otherwise?'

'Never begun to think otherwise at all,' said Mrs Flintwinch.

Seeing, as she patted the pillow into its place on the bolster, that he was still looking at her as if waiting for the rest of her reply, she gave it a great poke in the middle, and asked, 'How could I help myself?'

'How could you help yourself from being married!'

'O' course,' said Mrs Flintwinch. 'It was no doing o' mine. I'D never thought of it. I'd got something to do, without thinking, indeed! She kept me to it (as well as he) when she could go about, and she could go about then.' 'Well?'

'Well?' echoed Mrs Flintwinch. 'That's what I said myself. Well! What's the use of considering? If them two clever ones have made up their minds to it, what's left for me to do? Nothing.'

'Was it my mother's project, then?'

'The Lord bless you, Arthur, and forgive me the wish!' cried Affery, speaking always in a low tone. 'If they hadn't been both of a mind in it, how could it ever have been? Jeremiah never courted me; t'ant likely that he would, after living in the house with me and ordering me about for as many years as he'd done. He said to me one day, he said, "Affery," he said, "now I am going to tell you something. What do you think of the name of Flintwinch?" "What do I think of it?" I says. "Yes," he said, "because you're going to take it," he said. "Take it?" I says. "Jere-MI-ah?" Oh! he's a clever one!'

Mrs Flintwinch went on to spread the upper sheet over the bed, and the blanket over that, and the counterpane over that, as if she had quite concluded her story. 'Well?' said Arthur again.

'Well?' echoed Mrs Flintwinch again. 'How could I help myself? He said to me, "Affery, you and me must be married, and I'll tell you why. She's failing in health, and she'll want pretty constant attendance up in her room, and we shall have to be much with her, and there'll be nobody about now but ourselves when we're away from her, and altogether it will be more convenient. She's of my opinion," he said, "so if you'll put your bonnet on next Monday morning at eight, we'll get it over."' Mrs Flintwinch tucked up the bed.

'Well?'

'Well?' repeated Mrs Flintwinch, 'I think so! I sits me down and says it. Well!—Jeremiah then says to me, "As to banns, next Sunday being the third time of asking (for I've put 'em up a fortnight), is my reason for naming Monday. She'll speak to you about it herself, and now she'll find you prepared, Affery." That same day she spoke to me, and she said, "So, Affery, I understand that you and Jeremiah are going to be married. I am glad of it, and so are you, with reason. It is a very good thing for you, and very welcome under the circumstances to me. He is a sensible man, and a trustworthy man, and a persevering man, and a pious man." What could I say when it had come to that? Why, if it had been—a smothering instead of a wedding,' Mrs Flintwinch cast about in her mind with great pains for this form of expression, 'I couldn't have said a word upon it, against them two clever ones.'

'In good faith, I believe so.' 'And so you may, Arthur.'

'Affery, what girl was that in my mother's room just now?'

'Girl?' said Mrs Flintwinch in a rather sharp key.

'It was a girl, surely, whom I saw near you—almost hidden in the dark corner?'

'Oh! She? Little Dorrit? She's nothing; she's a whim of—hers.' It was a peculiarity of Affery Flintwinch that she never spoke of Mrs Clennam by name. 'But there's another sort of girls than that about. Have you forgot your old sweetheart? Long and long ago, I'll be bound.'

'I suffered enough from my mother's separating us, to remember her.

I recollect her very well.'

'Have you got another?'

'No.'

'Here's news for you, then. She's well to do now, and a widow. And if you like to have her, why you can.'

'And how do you know that, Affery?'

'Them two clever ones have been speaking about it.—There's Jeremiah on the stairs!' She was gone in a moment.

Mrs Flintwinch had introduced into the web that his mind was busily weaving, in that old workshop where the loom of his youth had stood, the last thread wanting to the pattern. The airy folly of a boy's love had found its way even into that house, and he had been as wretched under its hopelessness as if the house had been a castle of romance. Little more than a week ago at Marseilles, the face of the pretty girl from whom he had parted with regret, had had an unusual interest for him, and a tender hold upon him, because of some resemblance, real or imagined, to this first face that had soared out of his gloomy life into the bright glories of fancy. He leaned upon the sill of the long low window, and looking out upon the blackened forest of chimneys again, began to dream; for it had been the uniform tendency of this man's life—so much was wanting in it to think about, so much that might have been better directed and happier to speculate upon—to make him a dreamer, after all.

CHAPTER 29 - Mrs Flintwinch goes on Dreaming

The house in the city preserved its heavy dulness through all these transactions, and the invalid within it turned the same unvarying round of life. Morning, noon, and night, morning, noon, and night, each recurring with its accompanying monotony, always the same reluctant return of the same sequences of machinery, like a dragging piece of clockwork.

The wheeled chair had its associated remembrances and reveries, one may suppose, as every place that is made the station of a human being has. Pictures of demolished streets and altered houses, as they formerly were when the occupant of the chair was familiar with them, images of people as they too used to be, with little or no allowance made for the lapse of time since they were seen; of these, there must have been many in the long routine of gloomy days. To stop the clock of busy existence at the hour when we were personally sequestered from it, to suppose mankind stricken motionless when we were brought to a stand-still, to be unable to measure the changes beyond our view by any larger standard than the shrunken one of our own uniform and contracted existence, is the infirmity of many invalids, and the mental unhealthiness of almost all recluses.

What scenes and actors the stern woman most reviewed, as she sat from season to season in her one dark room, none knew but herself. Mr Flintwinch, with his wry presence brought to bear upon her daily like some eccentric mechanical force, would perhaps have screwed it out of her, if there had been less resistance in her; but she was too strong for him. So far as Mistress Affery was concerned, to regard her liege-lord and her disabled mistress with a face of blank wonder, to go about the house after dark with her apron over her head, always to listen for the strange noises and sometimes to hear them, and never to emerge from her ghostly, dreamy, sleep-waking state, was occupation enough for her.

There was a fair stroke of business doing, as Mistress Affery made out, for her husband had abundant occupation in his little office, and saw more people than had been used to come there for some years. This might easily be, the house having been long deserted; but he did receive letters, and comers, and keep books, and correspond. Moreover, he went about to other counting-houses, and to wharves, and docks, and to the Custom House,' and to Garraway's Coffee House, and the Jerusalem Coffee House, and on 'Change; so that he was much in and out. He began, too, sometimes of an evening, when Mrs Clennam expressed no particular wish for his society, to resort to a tavern in the neighbourhood to look at the shipping news and closing prices in the evening paper, and even to exchange Small socialities with mercantile Sea Captains who frequented that establishment. At some period of every day, he and Mrs Clennam held a council on matters of business; and it appeared to Affery, who was always groping about, listening and watching, that the two clever ones were making money.

The state of mind into which Mr Flintwinch's dazed lady had fallen, had now begun to be so expressed in all her looks and actions that she was held in very low account by the two clever ones, as a person, never of strong intellect, who was becoming foolish. Perhaps because her appearance was not of a commercial cast, or perhaps because it occurred to him that his having taken her to wife might expose his judgment to doubt in the minds of customers, Mr Flintwinch laid his commands upon her that she should hold her peace on the subject of her conjugal relations, and should no longer call him Jeremiah out of the domestic trio. Her frequent forgetfulness of this admonition intensified her startled manner, since Mr Flintwinch's habit of avenging himself on her remissness by making springs after her on the staircase, and shaking her, occasioned her to be always nervously uncertain when she might be thus waylaid next.

Little Dorrit had finished a long day's work in Mrs Clennam's room, and was neatly gathering up her shreds and odds and ends before going home. Mr Pancks, whom Affery had just shown in, was addressing an inquiry to Mrs Clennam on the subject of her health, coupled with the remark that, 'happening to find himself in that direction,' he had looked in to inquire, on behalf of his proprietor, how she found herself. Mrs Clennam, with a deep contraction of her brows, was looking at him.

'Mr Casby knows,' said she, 'that I am not subject to changes. The change that I await here is the great change.'

'Indeed, ma'am?' returned Mr Pancks, with a wandering eye towards the figure of the little seamstress on her knee picking threads and fraying of her work from the carpet. 'You look nicely, ma'am.'

'I bear what I have to bear,' she answered. 'Do you what you have to do.' 'Thank you, ma'am,' said Mr Pancks, 'such is my endeavour.'

'You are often in this direction, are you not?' asked Mrs Clennam.

'Why, yes, ma'am,' said Pancks, 'rather so lately; I have lately been round this way a good deal, owing to one thing and another.' 'Beg Mr Casby and his daughter not to trouble themselves, by deputy, about me. When they wish to see me, they know I am here to see them. They have no need to trouble themselves to send. You have no need to trouble yourself to come.' 'Not the least trouble, ma'am,' said Mr Pancks. 'You really are looking uncommonly nicely, ma'am.'

'Thank you. Good evening.'

The dismissal, and its accompanying finger pointed straight at the door, was so curt and direct that Mr Pancks did not see his way to prolong his visit. He stirred up his hair with his sprightliest expression, glanced at the little figure again, said 'Good evening, ma 'am; don't come down, Mrs Affery, I know the road to the door,' and steamed out. Mrs Clennam, her chin resting on her hand, followed him with attentive and darkly distrustful eyes; and Affery stood looking at her as if she were spell-bound.

Slowly and thoughtfully, Mrs Clennam's eyes turned from the door by which Pancks had gone out, to Little Dorrit, rising from the carpet. With her chin drooping more heavily on her hand, and her eyes vigilant and lowering, the sick woman sat looking at her until she attracted her attention. Little Dorrit coloured under such a gaze, and looked down. Mrs Clennam still sat intent.

'Little Dorrit,' she said, when she at last broke silence, 'what do you know of that man?'

'I don't know anything of him, ma'am, except that I have seen him about, and that he has spoken to me.'

'What has he said to you?'

'I don't understand what he has said, he is so strange. But nothing rough or disagreeable.'

'Why does he come here to sAffery, I know the road to the door,' and steamed out. Mrs Clennam, her chin resting on her hand, followed him with attentive and darkly distrustful eyes; and Affery stood looking at her as if she were spell-bound.

Slowly and thoughtfully, Mrs Clennam's eyes turned from the door by which Pancks had gone out, to Little Dorrit, rising from the carpet. With her chin drooping more heavily on her hand, and her eyes vigilant and lowering, the sick woman sat looking at her until she attracted her attention. Little Dorrit coloured under such a gaze, and looked down. Mrs Clennam still sat intent.

'Little Dorrit,' she said, when she at last broke silence, 'what do you know of that man?'

'I don't know anything of him, ma'am, except that I have seen him about, and that he has spoken to me.'

'What has he said to you?'

'I don't understand what he has said, he is so strange. But nothing rough or disagreeable.'

'Why does he come here to see you?'

'I don't know, ma'am,' said Little Dorrit, with perfect frankness.

'You know that he does come here to see you?'

'I have fancied so,' said Little Dorrit. 'But why he should come here or anywhere for that, ma'am, I can't think.'

Mrs Clennam cast her eyes towards the ground, and with her strong, set face, as intent upon a subject in her mind as it had lately been upon the form that seemed to pass out of her view, sat absorbed. Some minutes elapsed before she came out of this thoughtfulness, and resumed her hard composure.

Little Dorrit in the meanwhile had been waiting to go, but afraid to disturb her by moving. She now ventured to leave the spot where she had been standing since she had risen, and to pass gently round by the wheeled chair. She stopped at its side to say 'Good night, ma'am.'

Mrs Clennam put out her hand, and laid it on her arm. Little Dorrit, confused under the touch, stood faltering. Perhaps some momentary recollection of the story of the Princess may have been in her mind.

'Tell me, Little Dorrit,' said Mrs Clennam, 'have you many friends now?'

'Very few, ma'am. Besides you, only Miss Flora and—one more.'

'Meaning,' said Mrs Clennam, with her unbent finger again pointing to the door, 'that man?'

'Oh no, ma'am!'

'Some friend of his, perhaps?'

'No ma'am.' Little Dorrit earnestly shook her head. 'Oh no! No one at all like him, or belonging to him.'

'Well!' said Mrs Clennam, almost smiling. 'It is no affair of mine. I ask, because I take an interest in you; and because I believe I was your friend when you had no other who could serve you. Is that so?'

'Yes, ma'am; indeed it is. I have been here many a time when, but for you and the work you gave me, we should have wanted everything.'

'We,' repeated Mrs Clennam, looking towards the watch, once her dead husband's, which always lay upon her table. 'Are there many of you?'

'Only father and I, now. I mean, only father and I to keep regularly out of what we get.'

'Have you undergone many privations? You and your father and who else there may be of you?' asked Mrs Clennam, speaking deliberately, and meditatively turning the watch over and over.

'Sometimes it has been rather hard to live,' said Little Dorrit, in her soft voice, and timid uncomplaining way; 'but I think not harder—as to that—than many people find it.'

'That's well said!' Mrs Clennam quickly returned. 'That's the truth! You are a good, thoughtful girl. You are a grateful girl too, or I much mistake you.'

'It is only natural to be that. There is no merit in being that,' said Little Dorrit. 'I am indeed.' Mrs Clennam, with a gentleness of which the dreaming Affery had never dreamed her to be capable, drew down the face of her little seamstress, and kissed her on the forehead. 'Now go, Little Dorrit,' said she,'or you will be late, poor child!'

In all the dreams Mistress Affery had been piling up since she first became devoted to the pursuit, she had dreamed nothing more astonishing than this. Her head ached with the idea that she would find the other clever one kissing Little Dorrit next, and then the two clever ones embracing each other and dissolving into tears of tenderness for all mankind. The idea quite stunned her, as she attended the light footsteps down the stairs, that the house door might be safely shut.

On opening it to let Little Dorrit out, she found Mr Pancks, instead of having gone his way, as in any less wonderful place and among less wonderful phenomena he might have been reasonably expected to do, fluttering up and down the court outside the house.

The moment he saw Little Dorrit, he passed her briskly, said with his finger to his nose (as Mrs Affery distinctly heard), 'Pancks the gipsy, fortune-telling,' and went away. 'Lord save us, here's a gipsy and a fortune-teller in it now!' cried Mistress Affery. 'What next! She stood at the open door, staggering herself with this enigma, on a rainy, thundery evening. The clouds were flying fast, and the wind was coming up in gusts, banging some neighbouring shutters that had broken loose, twirling the rusty chimney-cowls and weather-cocks, and rushing round and round a confined adjacent churchyard as if it had a mind to blow the dead citizens out of their graves. The low thunder, muttering in all quarters of the sky at once, seemed to threaten vengeance for this attempted desecration, and to mutter, 'Let them rest! Let them rest!'

Mistress Affery, whose fear of thunder and lightning was only to be equalled by her dread of the haunted house with a premature and preternatural darkness in it, stood undecided whether to go in or not, until the question was settled for her by the door blowing upon her in a violent gust of wind and shutting her out. 'What's to be done now, what's to be done now!' cried Mistress Affery, wringing her hands in this last uneasy dream of all; 'when she's all alone by herself inside, and can no more come down to open it than the churchyard dead themselves!'

In this dilemma, Mistress Affery, with her apron as a hood to keep the rain off, ran crying up and down the solitary paved enclosure several times. Why she should then stoop down and look in at the keyhole of the door as if an eye would open it, it would be difficult to say; but it is none the less what most people would have done in the same situation, and it is what she did.

From this posture she started up suddenly, with a half scream, feeling something on her shoulder. It was the touch of a hand; of a man's hand.

The man was dressed like a traveller, in a foraging cap with fur about it, and a heap of cloak. He looked like a foreigner. He had a quantity of hair and moustache—jet black, except at the shaggy ends, where it had a tinge of red—and a high hook nose. He laughed at Mistress Affery's start and cry; and as he laughed, his moustache went up under his nose, and his nose came down over his moustache.

'What's the matter?' he asked in plain English. 'What are you frightened at?'

'At you,' panted Affery.

'Me, madam?'

'And the dismal evening, and—and everything,' said Affery. 'And here! The wind has been and blown the door to, and I can't get in.'

'Hah!' said the gentleman, who took that very coolly. 'Indeed! Do you know such a name as Clennam about here?'

'Lord bless us, I should think I did, I should think I did!' cried Affery, exasperated into a new wringing of hands by the inquiry.

'Where about here?'

'Where!' cried Affery, goaded into another inspection of the keyhole. 'Where but here in this house? And she's all alone in her room, and lost the use of her limbs and can't stir to help herself or me, and t'other clever one's out, and Lord forgive me!' cried Affery, driven into a frantic dance by these accumulated considerations, 'if I ain't a-going headlong out of my mind!'

Taking a warmer view of the matter now that it concerned himself, the gentleman stepped back to glance at the house, and his eye soon rested on the long narrow window of the little room near the hall-door.

'Where may the lady be who has lost the use of her limbs, madam?' he inquired, with that peculiar smile which Mistress Affery could not choose but keep her eyes upon.

'Up there!' said Affery. 'Them two windows.'

'Hah! I am of a fair size, but could not have the honour of presenting myself in that room without a ladder. Now, madam, frankly—frankness is a part of my character—shall I open the door for you?'

'Yes, bless you, sir, for a dear creetur, and do it at once,' cried Affery, 'for she may be a-calling to me at this very present minute, or may be setting herself a fire and burning herself to death, or there's no knowing what may be happening to her, and me a-going out of my mind at thinking of it!'

'Stay, my good madam!' He restrained her impatience with a smooth white hand. 'Business-hours, I apprehend, are over for the day?' 'Yes, yes, yes,' cried Affery. 'Long ago.'

'Let me make, then, a fair proposal. Fairness is a part of my character. I am just landed from the packet-boat, as you may see.'

He showed her that his cloak was very wet, and that his boots were saturated with water; she had previously observed that he was dishevelled and sallow, as if from a rough voyage, and so chilled that he could not keep his teeth from chattering. 'I am just landed from the packet-boat, madam, and have been delayed by the weather: the infernal weather! In consequence of this, madam, some necessary business that I should otherwise have transacted here within the regular hours (necessary business because money-business), still remains to be done. Now, if you will fetch any authorised neighbouring somebody to do it in return for my opening the door, I'll open the door. If this arrangement should be objectionable, I'll—' and with the same smile he made a significant feint of backing away.

Mistress Affery, heartily glad to effect the proposed compromise, gave in her willing adhesion to it. The gentleman at once requested her to do him the favour of holding his cloak, took a short run at the narrow window, made a leap at the sill, clung his way up the bricks, and in a moment had his hand at the sash, raising it. His eyes looked so very sinister, as he put his leg into the room and glanced round at Mistress Affery, that she thought with a sudden coldness, if he were to go straight up-stairs to murder the invalid, what could she do to prevent him?

Happily he had no such purpose; for he reappeared, in a moment, at the house door. 'Now, my dear madam,' he said, as he took back his cloak and threw it on, 'if you have the goodness to—what the Devil's that!'

The strangest of sounds. Evidently close at hand from the peculiar shock it communicated to the air, yet subdued as if it were far off. A tremble, a rumble, and a fall of some light dry matter.

'What the Devil is it?'

'I don't know what it is, but I've heard the like of it over and over again,' said Affery, who had caught his arm. He could hardly be a very brave man, even she thought in her dreamy start and fright, for his trembling lips had turned colourless. After listening a few moments, he made light of it.

'Bah! Nothing! Now, my dear madam, I think you spoke of some clever personage. Will you be so good as to confront me with that genius?' He held the door in his hand, as though he were quite ready to shut her out again if she failed.

'Don't you say anything about the door and me, then,

CHAPTER 20. Moving in Society

If Young John Chivery had had the inclination and the power to write a satire on family pride, he would have had no need to go for an avenging illustration out of the family of his beloved. He would have found it amply in that gallant brother and that dainty sister, so steeped in mean experiences, and so loftily conscious of the family name; so ready to beg or borrow from the poorest, to eat of anybody's bread, spend anybody's money, drink from anybody's cup and break it afterwards. To have painted the sordid facts of their lives, and they throughout invoking the death's head apparition of the family gentility to come and scare their benefactors, would have made Young John a satirist of the first water.

Tip had turned his liberty to hopeful account by becoming a billiard-marker. He had troubled himself so little as to the means of his release, that Clennam scarcely needed to have been at the pains of impressing the mind of Mr Plornish on that subject. Whoever had paid him the compliment, he very readily accepted the compliment with HIS compliments, and there was an end of it. Issuing forth from the gate on these easy terms, he became a billiard-marker; and now occasionally looked in at the little skittle-ground in a green Newmarket coat (second-hand), with a shining collar and bright buttons (new), and drank the beer of the Collegians.

One solid stationary point in the looseness of this gentleman's character was, that he respected and admired his sister Amy. The feeling had never induced him to spare her a moment's uneasiness, or to put himself to any restraint or inconvenience on her account; but with that Marshalsea taint upon his love, he loved her. The same rank Marshalsea flavour was to be recognised in his distinctly perceiving that she sacrificed her life to her father, and in his having no idea that she had done anything for himself.

When this spirited young man and his sister had begun systematically to produce the family skeleton for the overawing of the College, this narrative cannot precisely state. Probably at about the period when they began to dine on the College charity. It is certain that the more reduced and necessitous they were, the more pompously the skeleton emerged from its tomb; and that when there was anything particularly shabby in the wind, the skeleton always came out with the ghastliest flourish.

Little Dorrit was late on the Monday morning, for her father slept late, and afterwards there was his breakfast to prepare and his room to arrange. She had no engagement to go out to work, however, and therefore stayed with him until, with Maggy's help, she had put everything right about him, and had seen him off upon his morning walk (of twenty yards or so) to the coffee-house to read the paper.

She then got on her bonnet and went out, having been anxious to get out much sooner. There was, as usual, a cessation of the small-talk in the Lodge as she passed through it; and a Collegian who had come in on Saturday night, received the intimation from the elbow of a more seasoned Collegian, 'Look out. Here she is!' She wanted to see her sister, but when she got round to Mr Cripples's, she found that both her sister and her uncle had gone to the theatre where they were engaged. Having taken thought of this probability by the way, and having settled that in such case she would follow them, she set off afresh for the theatre, which was on that side of the river, and not very far away.

Little Dorrit was almost as ignorant of the ways of theatres as of the ways of gold mines, and when she was directed to a furtive sort of door, with a curious up-all-night air about it, that appeared to be ashamed of itself and to be hiding in an alley, she hesitated to approach it; being further deterred by the sight of some half-dozen close-shaved gentlemen with their hats very strangely on, who were lounging about the door, looking not at all unlike Collegians. On her applying to them, reassured by this resemblance, for a direction to Miss Dorrit, they made way for her to enter a dark hall—it was more like a great grim lamp gone out than anything else—where she could hear the distant playing of music and the sound of dancing feet. A man so much in want of airing that he had a blue mould upon him, sat watching this dark place from a hole in a corner, like a spider; and he told her that he would send a message up to Miss Dorrit by the first lady or gentleman who went through. The first lady who went through had a roll of music, half in her muff and half out of it, and was in such a tumbled condition altogether, that it seemed as if it would be an act of kindness to iron her. But as she was very good-natured, and said, 'Come with me; I'll soon find Miss Dorrit for you,' Miss Dorrit's sister went with her, drawing nearer and nearer at every step she took in the darkness to the sound of music and the sound of dancing feet.

At last they came into a maze of dust, where a quantity of people were tumbling over one another, and where there was such a confusion of unaccountable shapes of beams, bulkheads, brick walls, ropes, and rollers, and such a mixing of gaslight and daylight, that they seemed to have got on the wrong side of the pattern of the universe. Little Dorrit, left to herself, and knocked against by somebody every moment, was quite bewildered, when she heard her sister's voice.

'Why, good gracious, Amy, what ever brought you here?'

'I wanted to see you, Fanny dear; and as I am going out all day to-morrow, and knew you might be engaged all day to-day, I thought—'

'But the idea, Amy, of YOU coming behind! I never did!' As her sister said this in no very cordial tone of welcome, she conducted her to a more open part of the maze, where various golden chairs and tables were heaped together, and where a number of young ladies were sitting on anything they could find, chattering. All these young ladies wanted ironing, and all had a curious way of looking everywhere while they chattered.

Just as the sisters arrived here, a monotonous boy in a Scotch cap put his head round a beam on the left, and said, 'Less noise there, ladies!' and disappeared. Immediately after which, a sprightly gentleman with a quantity of long black hair looked round a beam on the right, and said, 'Less noise there, darlings!' and also disappeared.

'The notion of you among professionals, Amy, is really the last thing I could have conceived!' said her sister. 'Why, how did you ever get here?'

'I don't know. The lady who told you I was here, was so good as to bring me in.'

'Like you quiet little things! You can make your way anywhere, I believe. I couldn'0her to a more open part of the maze, where various golden chairs and tables were heaped together, and where a number of young ladies were sitting on anything they could find, chattering. All these young ladies wanted ironing, and all had a curious way of looking everywhere while they chattered.

Just as the sisters arrived here, a monotonous boy in a Scotch cap put his head round a beam on the left, and said, 'Less noise there, ladies!' and disappeared. Immediately after which, a sprightly gentleman with a quantity of long black hair looked round a beam on the right, and said, 'Less noise there, darlings!' and also disappeared.

'The notion of you among professionals, Amy, is really the last thing I could have conceived!' said her sister. 'Why, how did you ever get here?'

'I don't know. The lady who told you I was here, was so good as to bring me in.'

'Like you quiet little things! You can make your way anywhere, I believe. I couldn't have managed it, Amy, though I know so much more of the world.'

It was the family custom to lay it down as family law, that she was a plain domestic little creature, without the great and sage experience of the rest. This family fiction was the family assertion of itself against her services. Not to make too much of them.

'Well! And what have you got on your mind, Amy? Of course you have got something on your mind about me?' said Fanny. She spoke as if her sister, between two and three years her junior, were her prejudiced grandmother.

'It is not much; but since you told me of the lady who gave you the bracelet, Fanny—'

The monotonous boy put his head round the beam on the left, and said, 'Look out there, ladies!' and disappeared. The sprightly gentleman with the black hair as suddenly put his head round the beam on the right, and said, 'Look out there, darlings!' and also disappeared. Thereupon all the young ladies rose and began shaking their skirts out behind.

'Well, Amy?' said Fanny, doing as the rest did; 'what were you going to say?'

'Since you told me a lady had given you the bracelet you showed me, Fanny, I have not been quite easy on your account, and indeed want to know a little more if you will confide more to me.'

'Now, ladies!' said the boy in the Scotch cap. 'Now, darlings!' said the gentleman with the black hair. They were every one gone in a moment, and the music and the dancing feet were heard again.

Little Dorrit sat down in a golden chair, made quite giddy by these rapid interruptions. Her sister and the rest were a long time gone; and during their absence a voice (it appeared to be that of the gentleman with the black hair) was continually calling out through the music, 'One, two, three, four, five, six—go! One, two, three, four, five, six—go! Steady, darlings! One, two, three, four, five, six—go!' Ultimately the voice stopped, and they all came back again, more or less out of breath, folding themselves in their shawls, and making ready for the streets. 'Stop a moment, Amy, and let them get away before us,' whispered Fanny. They were soon left alone; nothing more important happening, in the meantime, than the boy looking round his old beam, and saying, 'Everybody at eleven to-morrow, ladies!' and the gentleman with the black hair looking round his old beam, and saying, 'Everybody at eleven to-morrow, darlings!' each in his own accustomed manner.

When they were alone, something was rolled up or by other means got out of the way, and there was a great empty well before them, looking down into the depths of which Fanny said, 'Now, uncle!' Little Dorrit, as her eyes became used to the darkness, faintly made him out at the bottom of the well, in an obscure corner by himself, with his instrument in its ragged case under his arm.

The old man looked as if the remote high gallery windows, with their little strip of sky, might have been the point of his better fortunes, from which he had descended, until he had gradually sunk down below there to the bottom. He had been in that place six nights a week for many years, but had never been observed to raise his eyes above his music-book, and was confidently believed to have never seen a play. There were legends in the place that he did not so much as know the popular heroes and heroines by sight, and that the low comedian had 'mugged' at him in his richest manner fifty nights for a wager, and he had shown no trace of consciousness. The carpenters had a joke to the effect that he was dead without being aware of it; and the frequenters of the pit supposed him to pass his whole life, night and day, and Sunday and all, in the orchestra. They had tried him a few times with pinches of snuff offered over the rails, and he had always responded to this attention with a momentary waking up of manner that had the pale phantom of a gentleman in it: beyond this he never, on any occasion, had any other part in what was going on than the part written out for the clarionet; in private life, where there was no part for the clarionet, he had no part at all. Some said he was poor, some said he was a wealthy miser; but he said nothing, never lifted up his bowed head, never varied his shuffling gait by getting his springless foot from the ground. Though expecting now to be summoned by his niece, he did not hear her until she had spoken to him three or four times; nor was he at all surprised by the presence of two nieces instead of one, but merely said in his tremulous voice, 'I am coming, I am coming!' and crept forth by some underground way which emitted a cellarous smell.

'And so, Amy,' said her sister, when the three together passed out at the door that had such a shame-faced consciousness of being different from other doors: the uncle instinctively taking Amy's arm as the arm to be relied on: 'so, Amy, you are curious about me?'

She was pretty, and conscious, and rather flaunting; and the condescension with which she put aside the superiority of her charms, and of her worldly experience, and addressed her sister on almost equal terms, had a vast deal of the family in it.

'I am interested, Fanny, and concerned in anything that concerns you.'

'So you are, so you are, and you are the best of Amys. If I am ever a little provoking, I am sure you'll consider what a thing it is to occupy my position and feel a consciousness of being superior to it. I shouldn't care,' said the Daughter of the Father of the Marshalsea, 'if the others were not so common. None of them have come down in the world as we have. They are all on their own level. Common.'

Little Dorrit mildly looked at the speaker, but did not interrupt her. Fanny took out her handkerchief, and rather angrily wiped her eyes. 'I was not born where you were, you know, Amy, and perhaps that makes a difference. My dear child, when we get rid of Uncle, you shall know all about it. We'll drop him at the cook's shop where he is going to dine.'

They walked on with him until they came to a dirty shop window in a dirty street, which was made almost opaque by the steam of hot meats, vegetables, and puddings. But glimpses were to be caught of a roast leg of pork bursting into tears of sage and onion in a metal reservoir full of gravy, of an unctuous piece of roast beef and blisterous Yorkshire pudding, bubbling hot in a similar receptacle, of a stuffed fillet of veal in rapid cut, of a ham in a perspiration with the pace it was going at, of a shallow tank of baked potatoes glued together by their own richness, of a truss or two of boiled greens, and other substantial delicacies. Within, were a few wooden partitions, behind which such customers as found it more convenient to take away their dinners in stomachs than in their hands, Packed their purchases in solitude. Fanny opening her reticule, as they surveyed these things, produced from that repository a shilling and handed it to Uncle. Uncle, after not looking at it a little while, divined its object, and muttering 'Dinner? Ha! Yes, yes, yes!' slowly vanished from them into the mist.

'Now, Amy,' said her sister, 'come with me, if you are not too tired to walk to Harley Street, Cavendish Square.'

The air with which she threw off this distinguished address and the toss she gave to her new bonnet (which was more gauzy than serviceable), made her sister wonder; however, she expressed her readiness to go to Harley Street, and thither they directed their steps. Arrived at that grand destination, Fanny singled out the handsomest house, and knocking at the door, inquired for Mrs Merdle. The footman who opened the door, although he had powder on his head and was backed up by two other footmen likewise powdered, not only admitted Mrs Merdle to be at home, but asked Fanny to walk in. Fanny walked in, taking her sister with her; and they went up-stairs with powder going before and powder stopping behind, and were left in a spacious semicircular drawing-room, one of several drawing-rooms, where there was a parrot on the outside of a golden cage holding on by its beak, with its scaly legs in the air, and putting itself into many strange upside-down postures. This peculiarity has been observed in birds of quite another feather, climbing upon golden wires.

The room was far more splendid than anything Little Dorrit had ever imagined, and would have been splendid and costly in any eyes. She looked in amazement at her sister and would have asked a question, but that Fanny with a warning frown pointed to a curtained doorway of communication with another room. The curtain shook next moment, and a lady, raising it with a heavily ringed hand, dropped it behind her again as she entered.

The lady was not young and fresh from the hand of Nature, but was young and fresh from the hand of her maid. She had large unfeeling handsome eyes, and dark unfeeling handsome hair, and a broad unfeeling handsome bosom, and was made the most of in every particular. Either because she had a cold, or because it suited her face, she wore a rich white fillet tied over her head and under her chin. And if ever there were an unfeeling handsome chin that looked as if, for certain, it had never been, in familiar parlance, 'chucked' by the hand of man, it was the chin curbed up so tight and close by that laced bridle.

'Mrs Merdle,' said Fanny. 'My sister, ma'am.'

'I am glad to see your sister, Miss Dorrit. I did not remember that you had a sister.'

'I did not mention that I had,' said Fanny.

'Ah!' Mrs Merdle curled the little finger of her left hand as who should say, 'I have caught you. I know you didn't!' All her action was usually with her left hand because her hands were not a pair; and left being much the whiter and plumper of the two. Then she added: 'Sit down,' and composed herself voluptuously, in a nest of crimson and gold cushions, on an ottoman near the parrot.

'Also professional?' said Mrs Merdle, looking at Little Dorrit through an eye-glass.

Fanny answered No. 'No,' said Mrs Merdle, dropping her glass. 'Has not a professional air. Very pleasant; but not professional.'

'My sister, ma'am,' said Fanny, in whom there was a singular mixture of deference and hardihood, 'has been asking me to tell her, as between sisters, how I came to have the honour of knowing you. And as I had engaged to call upon you once more, I thought I might take the liberty of bringing her with me, when perhaps you would tell her. I wish her to know, and perhaps you will tell her?' 'Do you think, at your sister's age—' hinted Mrs Merdle.

'She is much older than she looks,' said Fanny; 'almost as old as I am.'

'Society,' said Mrs Merdle, with another curve of her little finger, 'is so difficult to explain to young persons (indeed is so difficult to explain to most persons), that I am glad to hear that.

I wish Society was not so arbitrary, I wish it was not so exacting—Bird, be quiet!'

The parrot had given a most piercing shriek, as if its name were Society and it asserted its right to its exactions.

'But,' resumed Mrs Merdle, 'we must take it as we find it. We know it is hollow and conventional and worldly and very shocking, but unless we are Savages in the Tropical seas (I should have been charmed to be one myself—most delightful life and perfect climate, I am told), we must consult it. It is the common lot. Mr Merdle is a most extensive merchant, his transactions are on the vastest scale, his wealth and influence are very great, but even he—Bird, be quiet!'

The parrot had shrieked another shriek; and it filled up the sentence so expressively that Mrs Merdle was under no necessity to end it.

'Since your sister begs that I would terminate our personal acquaintance,' she began again, addressing Little Dorrit, 'by relating the circumstances that are much to her credit, I cannot object to comply with her request, I am sure. I have a son (I was first married extremely young) of two or three-and-twenty.'

Fanny set her lips, and her eyes looked half triumphantly at her sister.

'A son of two or three-and-twenty. He is a little gay, a thing Society is accustomed to in young men, and he is very impressible. Perhaps he inherits that misfortune. I am very impressible myself, by nature. The weakest of creatures—my feelings are touched in a moment.'

She said all this, and everything else, as coldly as a woman of snow; quite forgetting the sisters except at odd times, and apparently addressing some abstraction of Society; for whose behoof, too, she occasionally arranged her dress, or the composition of her figure upon the ottoman.

'So he is very impressible. Not a misfortune in our natural state I dare say, but we are not in a natural state. Much to be lamented, no doubt, particularly by myself, who am a child of nature if I could but show it; but so it is. Society suppresses us and dominates us—Bird, be quiet!' The parrot had broken into a violent fit of laughter, after twisting divers bars of his cage with his crooked bill, and licking them with his black tongue.

'It is quite unnecessary to say to a person of your good sense, wide range of experience, and cultivated feeling,' said Mrs Merdle from her nest of crimson and gold—and there put up her glass to refresh her memory as to whom she was addressing,—'that the stage sometimes has a fascination for young men of that class of character. In saying the stage, I mean the people on it of the female sex. Therefore, when I heard that my son was supposed to be fascinated by a dancer, I knew what that usually meant in Society, and confided in her being a dancer at the Opera, where young men moving in Society are usually fascinated.'

She passed her white hands over one another, observant of the sisters now; and the rings upon her fingers grated against each other with a hard sound.

'As your sister will tell you, when I found what the theatre was I was much surprised and much distressed. But when I found that your sister, by rejecting my son's advances (I must add, in an unexpected manner), had brought him to the point of proposing marriage, my feelings were of the profoundest anguish—acute.' She traced the outline of her left eyebrow, and put it right.

'In a distracted condition, which only a mother—moving in Society—can be susceptible of, I determined to go myself to the theatre, and represent my state of mind to the dancer. I made myself known to your sister. I found her, to my surprise, in many respects different from my expectations; and certainly in none more so, than in meeting me with—what shall I say—a sort of family assertion on her own part?' Mrs Merdle smiled.

'I told you, ma'am,' said Fanny, with a heightening colour, 'that although you found me in that situation, I was so far above the rest, that I considered my family as good as your son's; and that I had a brother who, knowing the circumstances, would be of the same opinion, and would not consider such a connection any honour.'

'Miss Dorrit,' said Mrs Merdle, after frostily looking at her through her glass, 'precisely what I was on the point of telling your sister, in pursuance of your request. Much obliged to you for recalling it so accurately and anticipating me. I immediately,' addressing Little Dorrit, '(for I am the creature of impulse), took a bracelet from my arm, and begged your sister to let me clasp it on hers, in token of the delight I had in our being able to approach the subject so far on a common footing.' (This was perfectly true, the lady having bought a cheap and showy article on her way to the interview, with a general eye to bribery.)

'And I told you, Mrs Merdle,' said Fanny, 'that we might be unfortunate, but we are not common.'

'I think, the very words, Miss Dorrit,' assented Mrs Merdle.

'And I told you, Mrs Merdle,' said Fanny, 'that if you spoke to me of the superiority of your son's standing in Society, it was barely possible that you rather deceived yourself in your suppositions about my origin; and that my father's standing, even in the Society in which he now moved (what that was, was best known to myself), was eminently superior, and was acknowledged by every one.'

'Quite accurate,' rejoined Mrs Merdle. 'A most admirable memory.'

'Thank you, ma'am. Perhaps you will be so kind as to tell my sister the rest.'

'There is very little to tell,' said Mrs Merdle, reviewing the breadth of bosom which seemed essential to her having room enough to be unfeeling in, 'but it is to your sister's credit. I pointed out to your sister the plain state of the case; the impossibility of the Society in which we moved recognising the Society in which she moved—though charming, I have no doubt; the immense disadvantage at which she would consequently place the family she had so high an opinion of, upon which we should find ourselves compelled to look down with contempt, and from which (socially speaking) we should feel obliged to recoil with abhorrence. In short, I made an appeal to that laudable pride in your sister.'

'Let my sister know, if you please, Mrs Merdle,' Fanny pouted, with a toss of her gauzy bonnet, 'that I had already had the honour of telling your son that I wished to have nothing whatever to say to him.'

'Well, Miss Dorrit,' assented Mrs Merdle, 'perhaps I might have mentioned that before. If I did not think of it, perhaps it was because my mind reverted to the apprehensions I had at the time that he might persevere and you might have something to say to him.

I also mentioned to your sister—I again address the non-professional Miss Dorrit—that my son would have nothing in the event of such a marriage, and would be an absolute beggar. (I mention that merely as a fact which is part of the narrative, and not as supposing it to have influenced your sister, except in the prudent and legitimate way in which, constituted as our artificial system is, we must all be influenced by such considerations.) Finally, after some high words and high spirit on the part of your sister, we came to the complete understanding that there was no danger; and your sister was so obliging as to allow me to present her with a mark or two of my appreciation at my dressmaker's.'

Little Dorrit looked sorry, and glanced at Fanny with a troubled face.

'Also,' said Mrs Merdle, 'as to promise to give me the present pleasure of a closing interview, and of parting with her on the best of terms. On which occasion,' added Mrs Merdle, quitting her nest, and putting something in Fanny's hand, 'Miss Dorrit will permit me to say Farewell with best wishes in my own dull manner.'

The sisters rose at the same time, and they all stood near the cage of the parrot, as he tore at a claw-full of biscuit and spat it out, seemed to mock them with a pompous dance of his body without moving his feet, and suddenly turned himself upside down and trailed himself all over the outside of his golden cage, with the aid of his cruel beak and black tongue.

'Adieu, Miss Dorrit, with best wishes,' said Mrs Merdle. 'If we could only come to a Millennium, or something of that sort, I for one might have the pleasure of knowing a number of charming and talented persons from whom I am at present excluded. A more primitive state of society would be delicious to me. There used to be a poem when I learnt lessons, something about Lo the poor Indians whose something mind! If a few thousand persons moving in Society, could only go and be Indians, I would put my name down directly; but as, moving in Society, we can't be Indians, unfortunately—Good morning!'

They came down-stairs with powder before them and powder behind, the elder sister haughty and the younger sister humbled, and were shut out into unpowdered Harley Street, Cavendish Square.

'Well?' said Fanny, when they had gone a little way without speaking. 'Have you nothing to say, Amy?'

'Oh, I don't know what to say!' she answered, distressed. 'You didn't like this young man, Fanny?'

'Like him? He is almost an idiot.'

'I am so sorry—don't be hurt—but, since you ask me what I have to say, I am so very sorry, Fanny, that you suffered this lady to give you anything.'

'You little Fool!' returned her sister, shaking her with the sharp pull she gave her arm. 'Have you no spirit at all? But that's just the way! You have no self-respect, you have no becoming pride, just as you allow yourself to be followed about by a contemptible little Chivery of a thing,' with the scornfullest emphasis, 'you would let your family be trodden on, and never turn.'

'Don't say that, dear Fanny. I do what I can for them.'

'You do what you can for them!' repeated Fanny, walking her on very fast. 'Would you let a woman like this, whom you could see, if you had any experience of anything, to be as false and insolent as a woman can be—would you let her put her foot upon your family, and thank her for it?'

'No, Fanny, I am sure.' 'Then make her pay for it, you mean little thing. What else can you make her do? Make her pay for it, you stupid child; and do your family some credit with the money!'

They spoke no more all the way back to the lodging where Fanny and her uncle lived. When they arrived there, they found the old man practising his clarionet in the dolefullest manner in a corner of the room. Fanny had a composite meal to make, of chops, and porter, and tea; and indignantly pretended to prepare it for herself, though her sister did all that in quiet reality. When at last Fanny sat down to eat and drink, she threw the table implements about and was angry with her bread, much as her father had been last night.

'If you despise me,' she said, bursting into vehement tears, 'because I am a dancer, why did you put me in the way of being one?

It was your doing. You would have me stoop as low as the ground before this Mrs Merdle, and let her say what she liked and do what she liked, and hold us all in contempt, and tell me so to my face. Because I am a dancer!'

'O Fanny!'

'And Tip, too, poor fellow. She is to disparage him just as much as she likes, without any check—I suppose because he has been in the law, and the docks, and different things. Why, it was your doing, Amy. You might at least approve of his being defended.'

All this time the uncle was dolefully blowing his clarionet in the corner, sometimes taking it an inch or so from his mouth for a moment while he stopped to gaze at them, with a vague impression that somebody had said something.

'And your father, your poor father, Amy. Because he is not free to show himself and to speak for himself, you would let such people insult him with impunity. If you don't feel for yourself because you go out to work, you might at least feel for him, I should think, knowing what he has undergone so long.'

Poor Little Dorrit felt the injustice of this taunt rather sharply.

The remembrance of last night added a barbed point to it. She said nothing in reply, but turned her chair from the table towards the fire. Uncle, after making one more pause, blew a dismal wail and went on again.

Fanny was passionate with the tea-cups and the bread as long as her passion lasted, and then protested that she was the wretchedest girl in the world, and she wished she was dead. After that, her crying became remorseful, and she got up and put her arms round her sister. Little Dorrit tried to stop her from saying anything, but she answered that she would, she must! Thereupon she said again, and again, 'I beg your pardon, Amy,' and 'Forgive me, Amy,' almost as passionately as she had said what she regretted.

'But indeed, indeed, Amy,' she resumed when they were seated in sisterly accord side by side, 'I hope and I think you would have seen this differently, if you had known a little more of Society.'

'Perhaps I might, Fanny,' said the mild Little Dorrit.

'You see, while you have been domestic and resignedly shut up there, Amy,' pursued her sister, gradually beginning to patronise, 'I have been out, moving more in Society, and may have been getting proud and spirited—more than I ought to be, perhaps?'

Little Dorrit answered 'Yes. O yes!'

'And while you have been thinking of the dinner or the clothes, I may have been thinking, you know, of the family. Now, may it not be so, Amy?'

Little Dorrit again nodded 'Yes,' with a more cheerful face than heart.

'Especially as we know,' said Fanny, 'that there certainly is a tone in the place to which you have been so true, which does belong to it, and